
My good buddy Ben Tucker from DA is having his first semi-solo show and was kind enough to save a wall for some of my work. I'm amazed of his great craftmanship and high quality and you will be too. So show up, have a drink, and we'll chat..
Paintings and Drawings by Scott Allen

The Art Walk on Wednesday housed many delights.
Below is the band Wudun, they played in the back room which provided great acoustics. At one point, 3 bands were playing simultaneously in the basement, but since the space was huge with multiple rooms, it worked and each one had their own audience.
The MOCA has some work by Marc Sijan

(A++++!!!!~thanks Crystal)
"Sijan's method is distinct and exacting. First, he works from live models, to produce a negative mold in plaster, and sculpts the interior with special tools and a magnifying glass to assure accurate detail. Then, he casts the figure in a polyester resin. To achieve realistic flesh tones, Sijan applies 25 coats of paint --- and adds varnish. Sijan uses oil paint in the final stages of the work."
Hello everyone, sorry this post is a little late, but I had to document an exquisite show. The NEXT exhibit was successful in so many ways. Discussing new ideas, meeting new people, and selling a painting made this a night I'll never forget.
Untitled Paint Study sold, and afterward I had to take a little break. When you work on a piece, really get into it, and see it everyday, an attachment forms. Fortunately, the painting is going to a great home.
Boredom at 4am

Alas, a painting I'm currently working on of my Dad and baby Kayla. Lately, painting with simple color schemes on wood has been very rewarding, especially when you rub off some paint to expose the wood for mid-tones! When this painting is finished, I'll update this post.
Flowers of Death
Flowers of Death II

I went over to my parents house for conversation and to eat scallops, and their backyard is so luscious with vegetation. Under those awesome vines are bamboos, in summertime, the vines dominate.
The vines are starting to take over the firewood too. I remember climbing them and resting on the highest part when I was little. Of course you sink and the highest part turns into the lowest part in a matter of time. Still relaxing and fun.
Finally this show is gonna happen, dates have been postponed, location moved, but this show is gonna be good. The artist list is huge and some strong artists are going to be showing. Look for my stuff at Raglands (below). Hope to see you there!
So it all started with this feeling of making stronger more expressive lines and I needed a specimen. Say hello to Tip O'Neill (former House Speaker). I found an image of him in a old photojournalism book and his wrinkled chin and semi-fat features were exactly what I was looking for.
Here is John Vauthiers, a gold miner. With him, I wanted to keep the expressive lines but also add that dirtier/grittier look. Both drawings are ink and acrylic metallic paints.
On the opposite side of the spectrum you have the highly technical drawings of KÅsuke Fujishima. I found his drawings of cars and motorcycles very inspiring, so I decided to draw from a 1:18 scale replica of a Mercedes 300SL to see where I can take it. Its pretty rough, and nowhere near Fujishima's level, but it was fun, and better than the cars I drew in 3rd grade.
After a year of procrastination, Butthole Snaps is completed.
This section of the hair turned out well, looks just like the wig my girlfriend was wearing.
Hello,
In the current Juxtapoz mag, there is an interview with N8 Van Dyke, and he mentioned he had like 40 something sketchbooks filled up, always drawing, and it shows. His technical skill is topnotch. One of his samples was a decomposing human face and I was touched by it, so I drew my own, and tried to get more aggressive, but you can only get so aggressive with a micron pen. Next to it is some chubby cherub character that I used just to play with the belly fat, and legs. Below, I was drawing a attractive female and decided to put this old man in the background, to aid in my arousal. I think its funny when old, incapable, very serious, hard-ass men try to flirt.
Bill Sienkiewicz impresses me everytime I pick up one of his books. His art is so diverse, almost like he gets bored with one style after another and this reveals more of his conscience thought. Here are some paintings of Elektra, not a big fan of that character(thanks for nothing Jennifer Gardner), but the art is what arouses me.
This is the cover art to Elektra Assassin #1 (above) and following are some sample pages.
Also, while we are on the subject of Elektra, here is a Kent Williams poster I had when I was a kid. Bye for reals.
Above is a modified drawing of my sister's baby, the IF submission is about babies so why not. Boredom with a mixture of escalated television viewing made the below drawing possible. Evan Almighty was on when I was drawing it, so you can tell how bored I was.
I'm in the process of bringing back a high school comic character, and it was like second nature drawing and composing again. Below is a bird that came out well, from a rough draft of the story.
After a couple pages of bringing the bottled up ideas to life again, this character spawned. Some of the design elements are very pleasing, like the repetition of the circles and vertical lines.
I got a awesome note in the mail from my Aunt Linda, basically making my dreams come true. After a discussion about Norman Rockwell on Mothers Day, she then let me know of an exhibit in Orlando and catered to practically all the expenses. We stayed at the Florida Mall Hotel for 2 days and below is Black Angus Room service.
Click on the main Picture, to see the details.
TAMPA, Fla. (AP) — Robert Rauschenberg, whose use of odd and everyday articles earned him a reputation as a pioneer in pop art but whose talents spanned the worlds of painting, sculpture and dance, has died, his gallery representative said Tuesday. He was 82.
Rauschenberg died Monday, said Jennifer Joy, his representative at PaceWildenstein gallery in New York.
Rauschenberg, who first gained fame in the 1950s, didn't mine popular culture wholesale as Andy Warhol did with Campbell's soup cans and Roy Lichtenstein did with comic books.
Instead, his "combines," incongruous combinations of three-dimensional objects and paint, shared pop's blurring of art and objects from modern life.
He also responded to his pop colleagues and began incorporating up-to-the-minute photographed images in his works in the 1960s, including, memorably, pictures of John F. Kennedy.
Among Rauschenberg's most famous works was "Bed," created after he woke up in the mood to paint but had no money for a canvas. His solution was to take the quilt off his bed and use paint, toothpaste and fingernail polish.
Not to be limited by paint, Rauschenberg was a sculptor and choreographer and even won a 1984 Grammy Award for best album package for the Talking Heads album "Speaking in Tongues."
"I'm curious," he said in 1997 in one of the few interviews he granted in later years. "It's very rewarding. I'm still discovering things every day."
Rauschenberg's more than 50 years in art produced a varied and prolific collection that that filled both Manhattan locations of the Solomon R. Guggenheim Museum during a 1998 retrospective.
Time magazine art critic Robert Hughes, in his book "American Visions," called Rauschenberg "a protean genius who showed America that all of life could be open to art. ... Rauschenberg didn't give a fig for consistency, or curating his reputation; his taste was always facile, omnivorous, and hit-or-miss, yet he had a bigness of soul and a richness of temperament that recalled Walt Whitman."
Rauschenberg split his time between New York and Captiva Island in Florida, where he kept a house stocked with his own art and those of his friends.
"I like things that are almost souvenirs of a creation, as opposed to being an artwork," he said in a 1997 Harper's Bazaar interview, "because the process is more interesting than completing the stuff."
He studied painting at the Kansas City Art Institute in 1947. He later took his studies to Black Mountain College in North Carolina, where he studied under master Josef Albers, and alongside contemporary artists such as choreographer Merce Cunningham and musician John Cage. He also studied at the Art Students League in New York City.
Rauschenberg first paintings in the early 1950s comprised a series of all-white and all-black surfaces under laid with wrinkled newspaper. In later works he began making art from what others would consider junk — old soda bottles, traffic barricades, and stuffed birds and calling them "combine" paintings.
One of Rauschenberg's first and most famous combines was entitled "Monogram," a 1959 work consisting of a stuffed angora goat, a tire, a police barrier, the heel of a shoe, a tennis ball, and paint.
By the mid-1950s, he was also designing sets and costumes for dance companies and window displays for Tiffany and Bonwit Teller.
He met Jasper Johns in 1954. He and the younger artist, both destined to become world famous, became lovers and influenced each other's work. According to the book "Lives of the Great 20th Century Artists," Rauschenberg told biographer Calvin Tomkins that "Jasper and I literally traded ideas. He would say, `I've got a terrific idea for you,' and then I'd have to find one for him."
Born Milton Rauschenberg in 1925 in Port Arthur, Texas, and raised a Christian fundamentalist, Rauschenberg wanted to be a minister but gave it up because his church banned dancing.
"I was considered slow," he once said "While my classmates were reading their textbooks, I drew in the margins."
He was drafted into the U.S. Navy during World War II and knew little about art until a chance visit to an art museum where he saw his first painting at age 18. He drew portraits of his fellow sailors for them to send home.
When his time in the service was up, Rauschenberg used the GI bill to pay his tuition at art school. He changed his name to Robert because it sounded more artistic.
In recent years he founded the organization Change Inc., which helps struggling artists pay medical bills.
"I don't ever want to go," he told Harper's when asked about dying. "I don't have a sense of great reality about the next world; my feet are too ugly to wear those golden slippers. But I'm working on my fear of it. And my fear is that something interesting will happen, and I'll miss it."
By MITCH STACY

This quote of Norman Rockwell really says it all and is easy to identify with, and here is a super cool drawing of My Studio Burns..
Since this book is by one of his sons, there are tons of unpublished illustrations and studies in it.






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